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4 products
Hear Us, O Shepherd of the Faithful
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Words By
Carl P. Daw, Jr.
The Hebrew superscription for Psalm 80 attributes the psalm to Asaph and inscribes it to “the [musical] leader” or “choirmaster.” Between these two familiar elements are two others that have varying interpretations: one is shoshannim (see the discussion of this tern at Ps. 69). The other is eduth, a term that may mean “testimony.” There is no real scholarly consensus concerning what crisis may have been the original occasion of this communal prayer song, and the recurring refrain (occurring here at the conclusion of stanzas 1, 2, and 4) suggests that it was adopted and adapted for liturgical purposes. Stanza 1: In effect, the opening of the psalm establishes God’s relationship to the faithful, God’s deity, and God’s power. Stanza 2: The reference to “bread and drink” represents a continuation of the Shepherd imagery, because the Hebrew word for “shepherd” includes the meaning “one who feeds or nourishes.” Stanza 3: This allegory of the vine is one of the most memorable parts of this
Item #:
HW9086.30
Release Date:
06/01/2020
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0 Reviews
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Hymn
How Glad I Was to Hear Them Say
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Words By
Carl P. Daw, Jr.
In addition to the designation “A song of ascents” shared by all the pilgrimage psalms, the Hebrew superscription for Psalm 122 also includes an attribution to David. This is a classic example of the honorific rather than factual nature of many such ascriptions, given that the Temple did not yet exist in David’s lifetime. Stanza 1: Anyone accustomed to thinking that the familiar opening verse of this psalm is an invita-tion to local worship needs to be reminded that this psalm assumes only one house of God, the Tem-ple in Jerusalem. Memory of the invitation to undertake the journey to this sacred place is triggered by arrival at the gates of the Holy City. Besides being an important religious center, Jerusalem was also the site of judicial and political power, a somewhat complicating consideration unexplored in this para-phrase. Instead, the focus remains on the intense spiritual joy unleashed at the moment of reaching the city’s gates. Stanza 2: Throughout the second half of this p
Item #:
HW9146.22
Release Date:
01/01/2022
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Hymn
How Happy You Who Work for Peace!
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Words By
Shirley Erena Murray
How happy you who work for peace! your hands shall plant and not destroy, your words defuse the power of hate, your prayers bring *aroha and joy. The scars of earth, of blast and bomb shall then be healed, and green will grow, the air that radiated de...
Item #:
HW2888
Release Date:
01/01/1992
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Hymn
Hear Me, O God, as I Voice My Lament
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Words By
Carl P. Daw, Jr.
The Hebrew superscription for Psalm 64 is starkly minimal: inscribing the psalm to “the [musical] leader” or “choirmaster” and attributing it to David. The absence of situational entanglements helps to make the psalm seem more immediate and more broadly applicable. Stanza 1: The opening of the psalm establishes the essential trajectory from initial distress to prom- ised deliverance. It also identifies the nature of the situation as being verbal and mental oppression rather than actual physical harm. Stanza 2: Although “psychological warfare” is a term devised much later, this part of the psalm effectively describes how unfounded rumors work like weapons and how they are deployed reck- lessly and shamelessly. Stanza 3: The imagery of hunting that shapes this stanza essentially dehumanizes the victim to the level of an animal. Stanza 4: God’s justice is described as defeating the wicked with more powerful versions of their own weapons (“arrows” and “noose”). Stanza 5: The psalm com
Item #:
HW9086.14
Release Date:
06/01/2020
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0 Reviews
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